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MONOPOLY
- a theater evening in front of the mirror
Stage Aarau / by Rebekka Bangerter and Jonas Egloff
2025
"190 people attended the premiere at the Alte Reithalle Aarau and erupted in standing ovations."
"The play impressively shows how deeply rooted social convention is, not
to talk about money." - Aargauer Zeitung
"Finally: In the play "Monopoly" at the Tojo Theater, people affected by poverty talk about money, including with the audience. A terrific theater experience." - Hauptstadt
A theatre evening about low bank balances -
and about room sizes, quality characteristics of park benches, sold horses, great mothers and tricked priests.
According to the Global Wealth Report, Switzerland is officially the richest country in the world. Yet, according to statistics, 745,000 people in Switzerland live below the poverty line.
"Monopoly" stars seven financial experts of a special kind: people who know what it's like to manage on a tight budget. They venture into the theater with the audience to talk about something that is often kept silent: money. And to search for ways we can connect beyond our own bank balances.
The Bühne Aarau Ensemble is an integral part of the Bühne Aarau's artistic program and focuses on a specific theme each year. As a result, the ensemble continually regroups with different members of the public. On stage, they feature "everyday experts": boxers, firefighters, and people with experience of depression. The Bühne Aarau Ensemble is under the artistic direction of Jonas Egloff. Projects are often co-directed with guest artists.
"Monopoly" is a collaboration with Caritas Aargau, the Roman Catholic Church in Aargau, and Pro Senectute. They are supporting the project with, among other things, an extensive supporting program.
A visit to the Aarau Theatre should be accessible to every budget. For various productions, we therefore offer "Give as Much as You Can" performances – you decide how much you want to spend on your ticket.
At “Monopoly,” we offer all shows under the label “Give as much as you can.”
With: Philippe Béchir, Nadja Chahdi, Hortensia Karli, Wilma Neumann, Claudia Rohner,
Gihad Salim & Lilian Senn.
Artistic direction: Rebekka Bangerter & Jonas Egloff.
Scenography and costumes: Stephanie Müller.
Assistant: Anna Lena Scherer.
Lighting design & technology: Chiara Leonhardt.
Sound recordings: Christoph Scherbaum.
Eye from the outside: Shabana Saya.
A Bühne Aarau Ensemble production in cooperation with: Caritas Aargau,
Roman Catholic Church in Aargau & Pro Senectute Aargau.


HORROR VACUI
- a live typed performance in collaboration with an AI
DAS Theatre, Amsterdam I Theater Monty, Antwerp
2023
The curtain opens. A cursor is blinking on an empty screen. Only the clicking of the keyboard is breaking the silence as we embark on a sensual walk through the forest.
Rebekka is writing a performance, exploring the power of language and the politicallity of authorship and creativity. But while she is still typing and thinking, text generating AI’s have found their way into our everyday use, creating much more text than her - in much less time. Producing text has become posthuman.
What does it mean to create in a time of constant technological updates? Can we still allow ourselves to get lost? To read between the lines and slow down?
Inspired by techno-feminist perspectives and writing strategies, horror vacui invites you on a humorous, poetic and critical journey on the entanglement of human, text, machine - from female typewriters to disembodied AI’s. What reality do we write with the tools we create? Who is writing? - And who keeps doing the work in the background?
An evening between edited and deleted thoughts, dominating datasets, collective imagination and our own bodily presence.
Premiere October 2023, Theater Monty Antwerp
Research Phase: DAS Theatre, 2022 / 2023
Concept / Text / Performance: Rebekka Bangerter
Dramaturgy: Henriette Festerling
Scenography and light design: Hendrik Walther
Mentoring: Joachim Robbrecht
Eye Exterior: Emke Idema
Costume Advice: Daphne De Winkel
Consulting Isadora: Chun Shing Au / Jimmy Grima
Technical Support: Durante Van Kuijk
With special thanks to Edit Kaldor
© rebekka bangerter

