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Salty Irina
- by Eve Leigh
Theater Konstanz I Premiere September 2026 / German Premiere
Eireni, an introverted pastor’s daughter from the provinces, meets Anna, who is building a sauna out of wooden Euro pallets on the roof of an occupied building. Their first encounter takes place in the street, after Eireni has stepped in a pool of blood. It is summer, and the two fall in love. At the same time, people are being shot or disappearing without a trace in their city. A Senegalese tailor, a Turkish-born shopkeeper and his son. Every day, the danger seems to grow, yet the police do nothing to stop these racially motivated crimes. They simply hose away the blood and blame the mafia. Anna and Eireni want to do something about this inaction and devise a plan to investigate for themselves at the summer camp of a far-right nationalist movement. As they do so, they try not to betray either themselves or their feelings for each other. But the pressure mounts, and the deeper they venture into the inner circle of the movement, the more real the danger becomes. What does it really take to stand up to fascism?
In this award-winning play, which received the Nestroy Prize, Eve Leigh combines political resistance with a queer coming-of-age love story.
The German premiere of this acclaimed play is being shared by Theater Konstanz and Theaterhaus G7 in Mannheim. “Verbranntes Land” premieres at both theatres on 26 September 2026.
Director Rebekka Bangerter
Set & Costumes Lukas Sander
Dramaturgy Carola von Gradulewski
Featuring Zoubeida Ben Salah, Kristina Lotta Kahlert, Jana Alexia Rödiger
Running time: 1 hour 15 minutes, no interval
HORROR VACUI
- a live typed performance in collaboration with an AI
DAS Theatre, Amsterdam I Theater Monty, Antwerp
2023
The curtain opens. A cursor is blinking on an empty screen. Only the clicking of the keyboard is breaking the silence as we embark on a sensual walk through the forest.
Rebekka is writing a performance, exploring the power of language and the politicallity of authorship and creativity. But while she is still typing and thinking, text generating AI’s have found their way into our everyday use, creating much more text than her - in much less time. Producing text has become posthuman.
What does it mean to create in a time of constant technological updates? Can we still allow ourselves to get lost? To read between the lines and slow down?
Inspired by techno-feminist perspectives and writing strategies, horror vacui invites you on a humorous, poetic and critical journey on the entanglement of human, text, machine - from female typewriters to disembodied AI’s. What reality do we write with the tools we create? Who is writing? - And who keeps doing the work in the background?
An evening between edited and deleted thoughts, dominating datasets, collective imagination and our own bodily presence.
Premiere October 2023, Theater Monty Antwerp
Research Phase: DAS Theatre, 2022 / 2023
Concept / Text / Performance: Rebekka Bangerter
Dramaturgy: Henriette Festerling
Scenography and light design: Hendrik Walther
Mentoring: Joachim Robbrecht
Eye Exterior: Emke Idema
Costume Advice: Daphne De Winkel
Consulting Isadora: Chun Shing Au / Jimmy Grima
Technical Support: Durante Van Kuijk
With special thanks to Edit Kaldor
© rebekka bangerter

